In 1792 Gustav III of Sweden was assassinated at a masquerade ball by the disgruntled nobleman Jacob Johan Anckarström, an event which Eugène Scribe and Daniel Auber turned into the opera Gustave III. They became popular throughout mainland Europe in the 17th and 18th centuries, sometimes with fatal results. Masquerade ball at Château de Hattonchâtel, France. With the fall of the Venetian Republic at the end of the 18th century, the use and tradition of masks gradually began to decline, until they disappeared altogether. They have been associated with the tradition of the Venetian Carnival. They were generally elaborate dances held for members of the upper classes, and were particularly popular in Venice. Masquerade balls were extended into costumed public festivities in Italy during the 20th century Renaissance (Italian maschera). (This episode may have influenced Edgar Allan Poe's short story " Hop-Frog".) Such costumed dances were a special luxury of the Ducal Court of Burgundy.
If they came too close to a torch, the dancers would catch fire. The King and five courtiers dressed as wildmen of the woods ( woodwoses), with costumes of flax and pitch. It took place in celebration of the marriage of a lady-in-waiting of Charles VI of France's queen in Paris on January 28, 1393. The " Bal des Ardents" ( "Burning Men's Ball") was held by Charles VI of France, and intended as a Bal des sauvages ( "Wild Men's Ball"), a form of costumed ball ( morisco). Masquerade balls were a feature of the Carnival season in the 15th century, and involved increasingly elaborate allegorical Royal Entries, pageants, and triumphal processions celebrating marriages and other dynastic events of late medieval court life.
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